![]() “untitled 5” is driven by this internal conversation, and Kendrick jackhammers through, as a lurching bass line swells around him. Kendrick, along with TDE cohorts Punch and Jay Rock, tackle how classism feeds the prison-industrial complex, and in turn, commodifies black violence. It wonders if the prerequisites for lucidity are skewed in the hood, if it’s even possible to think rationally trapped in a loaded reality. ![]() It grapples with sanity in the context of a human framework that doesn’t make sense. This version is untethered to the hopeful exuberance of “Alright.” It fully explores how power disparities create street violence, and how that violence impacts the psyche, shaping one's sense of normality. The complete “untitled 5” is found on untitled unmastered., a collection of To Pimp A Butterfly demos released just last night. “Once upon a time I used to go to church and talk to God/ Now I'm thinkin' to myself, hollow tips is all I got,” he spit. His dead-eyed stare and his snarling raps sold this dark alternative. Why do you want to see a good man with a broken heart? Maybe we won’t be alright after all. Following “Alright,” it read like a glimpse of momentary doubt, a little concession to the overwhelming odds faced.
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